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This film had no chance. This is a remake of a chance of success, and the original story is dated. But this is a library owned by Paramount, so the study was to gain a considerable amount of money with very little financial investment. Translation? - Greed has surpassed creativity. Remakes are easy, because the recognition as one to save a huge amount of money marketing the film, and nostalgia is expected to bring people to the theater. But if you do, do it well.

The biggest problem in this film is the casting. Although Julianne Hough has been impressive, Kenny Wormald was an unfortunate fiasco. I think he has some serious potential as an actor, and he is certainly capable. But he was convicted in that role. It is a cool geek-guy clothes, and his lack of chemistry with Julianne Hough makes it impossible to believe that a girl like her would never find him attractive. And speaking of tough clothes, something went very wrong in the costume department. The costume took almost all the clothes of the original film. We are not in the 80's anymore, so if you go to school with your collar up today, you will probably take the ridicule. In addition, Kevin Bacon considered "cool" in the original story because of its city, anti-establishment attitude, which came as a shock to the small town. The only anti-establishment about this boy was his Boston accent.

I guess Kenny Wormald landed this role because of her experience in dance, but since there are only three choreographed dance sequences in the film, I think the old rule of cinema is here - it is easier to teach an actor to dance is to learn a dance act. And if they had to prioritize dance experience, in fact I think when Zac Efron dropped out, must have been employed Derek Hough and Julianne Hough have been reworked (obviously because his brother real life can not play his interest of love.) The male role is more important than the female lead, and Derek was an excellent choice. But that's neither here nor there.

And anticipate that, as a pick-on-Guy-new attack, which also notes that Dennis Quaid was another lamentable failure. Sure that this film needed star power to lend him some great studies of street credit, but Quaid just does not look like a preacher tense. It is a proven talent, but even the big players can not remove the bad part. Footwear must be set before starting to walk.

The other problem is that the story is very true to the original film. In fact, with the exception of using iPod, is a carbon copy. The purpose of the new version is to take a great history and modernization. Remember "The Thomas Crowne affair" with Pierce Brosnan? It is the great story itself, but is almost unrecognizable compared with the version of Steve McQueen. Without a new twist, it makes sense more creative and financial re-editing the original. I think Craig Brewer (director) that have significantly altered the original story, or at least change your clothes for the love of good., The child has led even the same car.

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They say do not judge a book by its cover, but in this case can not be done to better assess the subject of the film. Dancing has been weak in theaters in recent years become synonymous with a smile OCT-parties, such as High School Musical, or even * shudder * Glee 3D.

Fortunately, Footloose, the remake of the 1984 classic, manages to avoid the pitfalls of this slice to implement an effective and fun boogieing.

The story focuses on Ren McCormack (newcomer Kenny Wormald), a teenager from Boston who was thrown into a quiet little town where prohibited the existence of a public dance and rock music.

The film takes a walk almost immediately in the opening with a stunning and unexpected blow juxtaposition, it is immediately clear that the film is not just dancing.

Wormald easily convinced that a bit arrogant but charismatic city boy, and gives the audience someone to root for. The rest of the cast is a mixed bag. Love interest, Ariel Moore (Julianne Hough) manages to tiptoe around sentimentality Bear Trap (right), with only one parasite line, which is a little on the side of cheddar. Generic thug / boyfriend Chuck Cranston (Patrick John Flueger) gives his character with all the subtlety of a punch in the face - which, incidentally, stands literally as you might expect - but the nails effectively clear the stereotype anyway.

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Dennis Quaid, as probably the only recognizable face, seems restless as Pastor Moore preacher-man, and it is difficult to balance the busy man of the cloth and is forced to deal with a terrible concept of losing his son, who died in a car accident first three years, after having conducted a public meeting, which was rented for the pastor and the municipal government to ban dancing altogether.

Andie MacDowell, the wife of Rev. Fr, below the most important thing in a less convincing showing your ads often seen face cream.

Fortunately Miles Teller is at hand that redneck dance-o-phobe Willard to provide some much needed comic relief, and is adorned with the most memorable lines and moments in the film, like learning to dance with girls of eight years, accompanied by a Barbie jukebox.

Dance is, of course, is still very feature through the film, which covers a number of different styles and fits more naturally than something like a musical where the characters finally broke all the scenes in the other.

The choreography of the group numbers are great and really has an infectious energy, at least not resolve the signature of the film - this time in a country a little more optimistic and feel compared to the original.

Comparisons with the 1984 film are inevitable and that there are differences - the city moved to the States and the game of chicken going on a school bus instead of tractors, for example - but in reality there is nothing that seems obvious in place. There are some nice nods to the original, as the firm Wormald turned red tuxedo for the end of Bacon, Kevin, but it's actually a film of his own, so a small message, but of course everything in moderation.

Finally, the film will not convert those who can not bear to see Face of young teenagers dancing their socks off, but for a film about dance, you get much more than Quick Step-.

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At first, the Ides of March appears to be one of those movies policy of self-indulgence in which a group of writers together and went to live out their fantasies of beating the Republicans at their own game, save the country in the process . It could have been the movie. It is almost the film with George Clooney plays the perfect candidate principle that says all the right things. In fact, from the beginning that this film is. Most of the greatest moments in the first half of the Ides comes from just watching Clooney is presidential. Even if you disagree with what he says, to be swept by him, supporting him, convinced that this is exactly the kind of person our country needs at all times.

In fact, it is not entirely accurate. This requires a statement similar to the Ides of March, to change their minds about what kind of movie that wants to be half, and it is not true. What really happens is that people are beginning to reveal the type of film was all the time.

The film is really about Stephen Myers, played by Ryan Gosling. Myers is the second in command in the campaign team of George Clooney, and only 30 years. Although young for the position, Myers is there because it's good, because as he says "you've seen the campaign, and most men twice his age." He thinks she does like all the other old, hardened, cynical political game playing, but it is not. At least not yet.

See Ides of March is growing. I'm not talking about the guy who not only get older and grayer, or having children and building a fence post or even by experience. I'm talking about giving up.

The time has come for everyone, and believe me, if you read this and swears he will not, then it will be particularly beneficial to you. When you're young, you think you can do anything. The world is yours, you can change it, you fix it, you can recreate in your own image. At some point everyone and I do mean everyone, is to accept that you can not change it, it's not yours, and no matter how much you may think you're on it, a days you'll have to take your place in it.

IDES Mars is about a man to accept this change, a film about the extreme circumstances that face him and what he did when he finally discovers there is no way to escape.

Although it is a story told in the political world, Mars is not really political at all. This is something larger and more deeply cynical. This is the kind of damage that can grow to the human soul. To achieve this writer / director George Clooney made a movie that is intense and Talky, built on the foundations of the overall performance of its brilliant cast. There will be best films released this year, but perhaps none more sophisticated and clever.

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You feel the gears of the Hollywood machine Formula draw - but the end result is surprisingly sincere. This is the "boy and his robot" movie, Transformers should always have been,Goyo Jackman and fully invest in your relationship with Charlie and Max have great chemistry together, and using humor to help their characters compelling, even if they are on their best behavior. Rest of the cast is good, or Evangeline Lilly, like Bailey, a former flame who owns Charlie rundown gym, where he lives? Anthony Mackie will fight as a promoter, while Davis and Rebhorn dismantle their privileged role as the ex-in-law Charlie. But it is a scene-stealing Goyo who remember more than once the lights come up. He avoided all the crap that is cute and precocious display are usually irritating, but only come across as a likeable, regular guy.

To watch this summer as part of a lot of the housing (not c ' is more, but do not spoil it). Charlie and Max at first does not have any use for devotion or the other, but eventually bond over their interest in boxing robots. Charlie and the voice of Max on the path towards reconciliation and a symbol of redemption of Atom, the older generation of robots that live on the site. Atom is the proverbial little guy that takes the player and will come back swinging. He, Charlie finally has a recovery shot that never had enough of the boxer.

The starting point is trivialized and mocked Real Steel from 'Em Sock' Em Robots Rock meets more than Stallone. Although such comparisons are a little 'good, the film is much more. Director Shawn Levy has finally ended his long night at the museum, giving the film all his flicks before. It is an emotionally authentic film anchored to a father and son who sincerely care about and want to see a united and animate the cold robot-on-robot violence.

The robot fight scenes are well done (production staff later in the technology and performance-capture SimulCam for the director and the cast to see the spam on your screen during the filming). Surprisingly, we now have an effin video giant robot which can actually make the proportion of spam when they fight. In addition, the filmmakers wisely limits of what robots can do. They do not speak, which are operated by remote control by human pilots and are not sensitive (although it is suspected that the atom might have something more to him than the rest). They are essentially giant toys, but as a child with a toy that grow attached to them.

This movie can happen in the future, but is set to true, relatable world populated by characters who are not very different from ours. Real Steel was a positive surprise, and still evolving, and release the film season, one worth checking out the touching story of a sweet and husky Robots episodes of fight.

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Take the performance of Daniel Craig. James Bond has proven his talents countless times, and he really go for it here. There is nothing called his performance, but her eyes are a bit too impassive. The way he treats his wife is just a little too dismissive to win the sympathy of the audience. It does not reflect, and slightly off-label quality can be found in dozens of other ideas, lines of dialogue and plot points. The big show about 45 minutes in and ruined by the trailers that are required to arrive 20 minutes earlier or twenty minutes later. Naomi Watts, completely lost, could have used about three scenes to develop character. Everything is just a fraction of but when taken together, it is an unfortunate mess.

The problem begins immediately with the first scene of the film where we are introduced to Will Atenton (Craig), a publisher who decided to quit his job to work on a novel and spend more time with his family. There's a company party to celebrate, but the rhythms of conversation is weird and disgusting. Clearly, something is up, but these issues are on the back burner when Will arrives at his new home. His wife (Rachel Weisz) and girls (Claire Taylor and speeds) are eagerly awaiting his arrival, and they are proud as a peacock about his newfound freedom. This optimism quickly disappear after the strange signs start haunting new home of the family. Initially, it is a scary face in the window and footprints in the snow, but later, teens are hidden in the cellar. They sneaked to perform a macabre sort of ritual.

Apparently, a family was killed in the same house five years ago, and the savage horror story casts a shadow over the neighborhood. The father was a suspect in the killings, but no evidence was confined to a psychiatric institution. He knows he has to find the father and understanding what happened to put her family in peace, but the resolution is to confront his own past, with the help of his neighbor Ann Patterson (Naomi Watts), who was there when the murder occurred.

Psychological thrillers are always at their best when they grow slowly. Discretion and convenience are of paramount importance and should increase the tension until the viewer, then blinded by a frantic conclusion that the budget full of oddities throughout the film. Much to the detriment of the Dream House will never be able to capture that formula. It 'too heavy at the beginning, even the densest audience screams that something is wrong and too hellbent is redeemed by his leadership, the end to carve out a stupid decision, it is common sense and betrays its rules, is the past to shoulders.

He feels bad that so many talented people could have created such a disaster, but knowing the background story, it may be explained. Dream House producers, unhappy with what they saw, deep in and re-cut the film himself. Just how much they have changed is a subject of debate, but clearly they did what they did not help. Director Jim Sheridan tried to get his name removed, but his request was denied. At least he had the right idea. No one deserves praise for Dream House. The whole thing is like watching a great baseball player because a bullet from his shin. It is not a lack of effort, but it is still low point in many large quarries. I can not wait to see everyone involved in something that is not the case.

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The film revolves around being a good father and husband. I'm not a father or husband, but I get what they are trying to say. One thing that irritates me rather, he is thinking about some prick trying to shake what they believe in the throat of people. Certainly, nobody is arrogant enough to do that with someone, however, thousands of spectators. Wait ....

Therefore, the film focuses on Adam (Alex Kendrick), a police officer and a husband and two children. Adam seems to have a hard time finding work in balance with the house (shown in a scene in which he says "I love you" to his boss on the phone, but hey, it was probably on purpose). Adam's relationship with their children seems to have lost. His daughter, who was afraid to show his love for her and her son, I think I called stubborn because he likes playing video games and run 5 miles a day. What an ass. Anyway, Adam has a close-knit clan with his fellow officers Nathan (Kevin Bevel), David (Ben Davies) and Shane (Kevin Downes). They go out together and shoot the shit. Some time later, while working in the construction of a shed with a new friend Javier (Robert Amaya), one of the officers arrived at the home of Adam and said one of the members of his family was in a car accident.

From there, we have 30 minutes or more tears of the family that seems never going to end. Seriously, it gets a little uncomfortable about how much to mourn, at least for me. I've heard some older couples, sobbing in the rows ahead of me. It tells you what kind of people is this (And then me!). Adam and consulted with their pastor to speak in some sense to him, and of course, he said something along the lines of contact with God. I would say that waste and bang whores, but obviously not the case. So he designed this resolution in which God promises to his responsibilities as father and husband. It shows your friends and they are very interested in joining drink the Kool-Aid. Then we have a scene with key members of the reading of some kind of formal oath suits and the rest of the movie starts to work its resolution.

How brave you like - a production directed overtly Christian about four police officers to learn about God and family - it is probably a reflection of how you view the church is a test too long or walkie-filled sermons challenging engagement their god and values. Or just not your thing, first. The movie starts well with interesting characters, dialogue, fair, and the tone of a great episode of 7th Heaven, but the delegates finally over the top drama and great impartiality suffocating. Prayers are said and done on a regular basis, a cynical agnostic converts and immediately becomes a better man, and the characters stop lecturing for several minutes in the plan of God all in all, but looking at the camera and the public. To the credit of the movie, the tragic accident at his center is managed with respect and not exploited to facilitate the moralizing, and it is very touching.

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Wisenheimer flattering light laughter is the best friend of Adam, Kyle, played, and sometimes roared Seth Rogen Shaggy in his familiar mix of sweetness, innocence and vulgarity. Like most of the characters, Mr. Rogen, Kyle is really the only culprit, vulgar and pretentious ways of being a dog, a bromance the world is close to a natural state of grace, a blessing. Like all bromance guy, Kyle is a decent guy every other guy wants to be decent on his side, especially if a woman occupies that place is so narrow as Adam's girlfriend, Rachael (Bryce Dallas Howard). Fabric paints abstract and not give sexually, so you can guess where it is going.

Most of the remaining plates are so obviously planted. Directed by Jonathan Levine ("The Wackness"), was "50/50" written by Will Reiser, based on his own experience of a medullary carcinoma. (He and Mr. Rogen became friends while working on the satirical television series "Da Ali G Show." Mr. Reiser will not have cancer.) When the story begins, Adam is settling in domesticity with Rachael (it is erased a drawer in his apartment for her), and Kyle is working on a public radio station. The two men are - you see Adam working on a short story about a volcano - but their work is mainly the recording after the fact, the narrative justification for their cars and houses.

Persistent pain in the back of Adam sent to the doctor, where he received his diagnosis of the dark disbelief can not compete with the cold comes, scary-sounding medical terms that fall on him like darkness. Within seconds, crossed into the land of the sick, a place where filmmakers try to portray feelings very hard to make more comfortable and ultimately unthreatening as possible. It is a difficult balancing act that Mr. Levine and Mr. Reiser in his struggle with - with Kyle and raw cutup tragic figure of Adam - switching between interludes of the movie really funny and pieces of groping towards the scariest heavy ,. Then, Anna Kendrick, as Katherine, a therapist of 24 years, assigned to Adam, is presented and makes everything better.

The friendly Mr. Gordon-Levitt has a thousand ways to look unhappy, dejected, depressed, panic stomach, drained and upset, but recession is not as Adam, or underconceived rather, the character also will catch you as hard as you expect and need it most. The problem is not that he needs to convince: diagnosis and natural charm of Mr. Gordon-Levitt takes the side of Adam quite easily. Is that neither the actor nor the filmmakers can get under the skin of Adam, despite all the ups and moody scenes shot full of the kind of silent film that is more like a writer's trial of a man uncertain face mortality.

That said, Mr. Gordon-Levitt maintains its sympathies, even when Adam enters smiling Rachael related field. (Mrs. Howard is improving with each performance, but be careful not to close the persistent type.) Rachael behavior is not plausible, but unlike some bromance is not just another figure to continue with the breasts, and Ms. Howard is a real character out of it. Other dividends is included Anjelica Huston as the mother of Adam, the great Philip Baker Hall as a cancer in a bad mood affected by self-treatment of weeds and, best of all, Ms. Kendrick (known as George Clooney in the sheet "Up in the Air"), a superb comic actress whose film up time, and you.

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Whenever the film gives us only one point of view the history of the character at the center of everything. In this case, Adam, and for the most part, which is exactly what this film does. It was not until late in the photo, where I finally started to clue just what Levine and writer Will Reiser had done. Through a series of subtle moments of character development of the story is founded on human life of Adam, created in such a way that one begins to understand what they are dealing with so much that do not relate to what Adam is going through.

50/50 is as much about cancer and Adam struggle with the disease just as it is in those around him, so I respect anyone else to this film. Cancer not only affects the person with whom, at least not as a person who is surrounded by people who love and care for them. Adam is one of those people and find their friends and family to cope with the situation in its own way is a layer of perfectly placed on the cake.

Rogen is just as funny and boring as domineering friend Adam is certainly far from being politically correct when it comes to treating cancer of Adam, which suggests that he used to win the sympathy of women. Alternatively Adams selfish boyfriend (Bryce Dallas Howard) is an obstacle his cancer and his mother (Angelica Huston) approaching, like any decent parent, with all the care in the world. "I just choked him, because I love it," she said at the end of the image. This is a bar that serves a good laugh and a better understanding of what she goes through and how she deals with him and Huston plays to the teeth, reach out to his son with love, you can not help but be moved to.

However, a part of the story I've worked really felt it was the introduction of Katie (Anna Kendrick), Adam just outside the therapist named to a university that is hard to do and say things right at all times. Kendrick never bought me as a therapist and I never felt a chemistry between her and Gordon Levitt. Kendrick feels more like the obvious choice for the role instead of improving the options and, finally, it takes little to the table, playing more or less the same character she played in Up in the Air. It never feels quite right.

Therapy is more interesting and Phillip Baker Hall and Matt Frewer as two cancer patients of Adam meets and goes through chemotherapy. Despite a large difference in age and life, there is a credible sense of camaraderie that results from the time the three spend together, creating two new strong relationships in the life of Adams, and Levine could not have found two better people to fill these roles.

That the director Jonathan Levine second feature (third if you count his 2006 novel function, all the Boys Love Mandy Lane) after hipster indie The Wackness back in 2008. I do not like the movie, but Levine certainly shows a lot of the growth of film it and show a greater ability with characters that you can actually relate. Much is due to melting and a spectacular performance by Gordon-Levitt, who deserves an Oscar for this approach is fully formed, measured and nuanced a character facing a very serious disease and it is not too emotional turn the affection of the public.

50/50 is a drama so funny and sincere. Do not pander to the audience and is made in relation to the material. Never feel you have been manipulated in the care of people on the screen all I really feel for them. If I had to guess, there will be many dry eyes in the house when it hits theaters.