Dennis Quaid, as probably the only recognizable face, seems restless as Pastor Moore preacher-man, and it is difficult to balance the busy man of the cloth and is forced to deal with a terrible concept of losing his son, who died in a car accident first three years, after having conducted a public meeting, which was rented for the pastor and the municipal government to ban dancing altogether.
Andie MacDowell, the wife of Rev. Fr, below the most important thing in a less convincing showing your ads often seen face cream.
Fortunately Miles Teller is at hand that redneck dance-o-phobe Willard to provide some much needed comic relief, and is adorned with the most memorable lines and moments in the film, like learning to dance with girls of eight years, accompanied by a Barbie jukebox.
Dance is, of course, is still very feature through the film, which covers a number of different styles and fits more naturally than something like a musical where the characters finally broke all the scenes in the other.
The choreography of the group numbers are great and really has an infectious energy, at least not resolve the signature of the film - this time in a country a little more optimistic and feel compared to the original.
Comparisons with the 1984 film are inevitable and that there are differences - the city moved to the States and the game of chicken going on a school bus instead of tractors, for example - but in reality there is nothing that seems obvious in place. There are some nice nods to the original, as the firm Wormald turned red tuxedo for the end of Bacon, Kevin, but it's actually a film of his own, so a small message, but of course everything in moderation.
Finally, the film will not convert those who can not bear to see Face of young teenagers dancing their socks off, but for a film about dance, you get much more than Quick Step-.
